O GOD, ACCORDING TO THY GRACE

Newly added to the Christus Vincit Gradual!  Text is from Psalm 51 and taken from The Psalter of 1912.  While the first verse constitutes the Proper Offertory for Tuesday of II Lent, the text is very much handy for much of the Lenten Season.  The tune is aptly named New 51st (to go along with my series of hymntunes, New 25th and New 30th), and set in a nice somber mood (A minor).  This text could also be well-suited with Thomas Tallis' Third Mode Melody.

PDF - O God, According to Thy Grace
SATB hymn

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LORD, I WILL PRAISE THY NAME

Newly addedd to the Christus Vincit Gradual!  Text is from Psalm 30 and taken from The Psalter of 1912.  Written in G minor with Lent in mind, as this also serves as the proper Offertory for Ash Wednesday, this tune (New Thirtieth) is my first original hymn tune in several years and my first ever which scans the poetic meter 66 66 88 (or 66 66 448), which means the 1912 text could be also sung to tunes such as Darwall's 148th, Laus Regis, and Little Cornard.

When playing this back, I felt like I just added a new potential entry to The Hymnal 1940 (albeit its final update was back in 1981).

PDF - Lord, I Will Praise Thy Name
SATB hymn

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BLESSED ARE YOU, O MARY (Updated!)

and Alma Redemptoris Mater

...all in one responsory.  This is a practice that C. Alexander Peloquin employed in some of his work, namely in his Rejoice in Hope and Prayer of Self-Offering (both of which incorporate Ubi Caritas), and In Memory of You (which incorporates Ave Verum).

The antiphon is a paraphrase of the Marian Offertory Felix Namque Es, while the versicles are the Alma Redemptoris Mater, in Latin.  Both of these, the antiphon and the versicles, are set to original music.

Part of both Psalm 151 and the partially-completed Christus Vincit Gradual.

PDF - Blessed Are You, O Mary - Unison responsory, now with descant!

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AVE MARIA

The Ave Maria (Hail Mary) is, in addition to being that beloved prayer to our Blessed Mother, the appointed Offertory Proper for Sunday IV of Advent and the Immaculate Conception.  These appointed offertories end at et benedictus fructus ventris tui on Advent IV and at Benedicta tu in mulieribus on the Immaculate Conception. However, it's always ok to finish the prayer.

Great to use as an extra anthem or hymn at other Marian feasts and solemnities as well. PLUS: since this setting is written entirely in Latin, you can also use it in an Extraordinary Form Mass.

Two versions are available, as a choral anthem in A-flat, or as a hymn in F. Both contain a copyable congregation part (which is in F in both versions), as well as parts for a string quartet.

(UPDATE 6-28-23:) Now part of the partially-completed Christus Vincit Gradual.

PDF - Ave Maria - SATB, Organ and optional Strings; both keys (F and A-flat) are included.

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LORD, YOU HAVE GREATLY BLESSED YOUR LAND

The text based on Psalm 85 and written by an unknown author.  The tune is short and sweet, short enough where the seven verses of text won't feel like a marathon.  The tune is one of those rarities that end in the V chord, and the last note of the melody is the fifth of that V chord (for those not so well versed in music theory, the tune is in the key of D, but it ends in the A chord, and the melody ends with an E note).  This kind of ending also takes place in a little-known tune by the late C. Alexander Peloquin, titled "Creative Love".  If you have a Worship II hymnal handy, it's at #257, with the Fred Kaan hymn text, Surrounded by a World of Need.

This tune, like the one I wrote for O that I Could for Ever Dwell, is based on a Gregorian melody from the Liber Usualis, in this case, the Offertory Benedixisti, Domine from III Advent.

(UPDATE VI-28-23: Now part of the partially-completed Christus Vincit Gradual.

PDF - Lord, You Have Greatly Blessed Your Land

SATB hymn

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